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"SCOM 7.3 has worked beautifully and I'm amazed how quickly I get scores done with the new Define Score menus! Itís also awesome how it compiles even my very early scores, which needed just ticks-to-ratios conversion. Thereís indeed some magic in SCOM, which is not found in any other composition platforms!" (Nigel Morgan, the author of Parametric Composition book and SCOMís N-Gel Module & Chicago Quartet score contribs).
"I feel like this is a MAJOR jump for SCOM 7. Thanks for the continually development. Not many programs have that kind of pedigree in an essentially steady and linear improvement in functions!"
"This mail just for say to you my first impression of the new SCOM 6.5: Awesome!! 'm so happy with the new menus, chords and degree scales, I love the new workflow upgrades and I love in general the look and feel."

"Congratulation for the new release of SCOM with Sibelius and Finale Support!"

"I love SCOM because it is so pure. I don't want alternatives!"

"It's really the most wonderful tool I have ever seen for music composition."

"SCOM steps beyond notation and playing skills, like no other software can do."

"It's all I need for music composition besides Logic and softsynths."

Symbolic Composer 6.3 Professional For The Windows
Symbolic Composer 6.3 For The Windows has now the same function libraries as the leading-edge Macintosh 6.3 version. Included are many new functions, too.

It looks pretty same as the SCOM for the Mac.

SCOM 6.3 WIN includes major improvements on the interface, such as Desktop Restoration, Interactive Lisp Listener, Go Menu, Visualizer, Related Menu and Snapshots Feature, that make SCOM easier to use.

covers chords, scales and micro-tonals, processing of dynamics, harmony, ornamentation variation, twelve-tone rows - even Noergaard Infinity Series, Messiaen, Strawinski and Hindemith favorite compositional methods.

SCOM's vast algorithmic
libraries cover fractals, chaos, physics, math, DNA, or even realtime satellite data and provide cool toos for experimentation - or for the next club/charts hit.

Apply any algorithm to any musical parameter in micro or macro level in any style and complexity of the score, that is what SCOM 6.3 is all about. And visualize, too - Visualizer allows to view compositional data. It's a handy tool to search for interesting material.

Searching For Noise?

SCOM is not only rich on tonalities and compositional algoriths but also for the pure NOISE. It cover White, Pink, Brownian, Gaussian and even programmable 1/f Noise and reali-time Cosmic Noise from NASA satellites.

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