| PRESS RELEASES |
Launching Symbolic Composer 6.2 For the
Macintosh
[2010, JUN 3] |
Symbolic Composer 6.1 Released For the Mac
[2009, SEP 1] |
Symbolic Composer 6 For The Intel Mac and
Windows
[2008, NOV 27] |
Symbolic Composer 5.6 Released For Windows
& Virtualization
[2008, OCT 14] |
Launching Symbolic Composer 5.5 For
Windows & Virtualization
[2008, FEB 14] |
Shipping Symbolic Composer 5.4 For Windows
[2007, OCT 5] |
Symbolic Composer 5.4 Mac Shipping
[2007, JUN 11] |
Releasing Symbolic Composer 5.3 For the
Windows
[2007, FEB 3] |
Symbolic Composer 5.3 Mac and
Symbolic Composer 5.2.2 Win shipping
[2006, FEB 3] |
Launching Symbolic Composer 5.2 For The
Windows
[2005, DEC 1] |
Launching Symbolic Composer 5.2 For The
Macintosh
[2004, DEC 14] |
Releasing Symbolic Composer 5.1 For The Mac OSX
[2004, SEP 21] |
Symbolic Composer 5.1 Released For Windows
[2004, JUN 10] |
Tonality Systems Shipping Symbolic
Composer 5.0 Modular For Windows
[2003, SEP 22] |
"MRAC extends SCOM and runs
now on the the new Intel platform."
www.mracpublishing.com
"Symbolic Composer has been tested in
the Softpedia labs using several
industry-leading security solutions and found to be completely clean of
adware/spyware components. We are impressed with the quality of your
product and encourage you to keep these high standards in the future."
Clean
Award
Download
SCOM 6 at Softpedia
FINDMYSOFT
"Symbolic Composer is a high quality
software product."
Download
SCOM 5.4 at Findmysoft
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Press Release: Launching Symbolic
Composer 6.2 For the Mac
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--- VENICE, ITALY, 2010, JUN 3 --- We are proud
to introduce you the latest version of Symbolic Composer. Symbolic
Composer 6.2 is one of the most advanced and largest music composition
language available. Included is full SCOM Reference Manual with
detailed examples and tutorials. Symbolic
Composer 6.2 also implements powerful tonality
functions, advanced section
handling,
re-engineered menus and new Solar Noise functions.
Take a look on the new
Menus on System Index, which allow now easier and more powerful
organization of the scores. Add up new tonality functions, sections and
Cosmix Toolbox additions, which boost SCOM Processing Power in "the
computronium level".
New tonality functions include full set of functions that enable to
add, delete, mix, modulate, generate, enrich and analyze tonality
progressions. These allow the contemporary composers to take full
advantage of the Reneissance of Tonalities.
"SCOM is the Universal
Language of Music, where any musical ideas can
be
realized - no matter of the complexity, or the style of the
composition", says Mrac Labs CEO Janusz
Podrazik.
Advanced Tonality Handling Added
"The Reneissance of
Tonality is
coming", says composer Nigel
Morgan (UK). "The parameter
of tonality that SCOM allows for this, for me, is the single most
innovative part of the system. I cannot thing of another algorithmic
music system, that allows for this layer of musical working."
Tonality Symbols allow also an efficient way to handle score tonality
progressions. Chords and scales can also be visualized on the keyboard
and on a
notation sheet, and played as a preview. The algorithms allow to
analyze tonality progressions, and find the same or different notes -
or the most dissonant ones - for the mostly pleasing effects.
Apply Fractals, Chaos,
Physics and Math as well - or Magnetic Portals as below - and
algorithms and tonalities over 500 years of the
past to step
ahead into the future - from advanced club mixes to leading-edge
contemporary styles and electro-acoustic experimentations - in any
style and compexity.
In Symbolic Composer MIDI data comes directly from the compilation of a
program and not from interaction with multitrack-style recording and
the limitations of your keyboard performance. This program can be made
from midifile analysis, graphic and gestural visual processing, as well
as interaction of function variables and expressions, all immediately
available from the menus. Compilation to midifile is virtually
instantaneous, and a score can be playing on your sequencer or
scorewriting in seconds.
- Tonality is an extended concept in the system. Most scales, modes and
chords are predefined, including many non-western forms. New tonalities
can be described by interval series, notes or algorithms.
- Beat/Space, descriptive of a mode of rhythmic organisation found in
many non-western musics, but also in drum-computer programming, is a
dynamic feature and a powerful visual metaphor for rhythm.
- Timesheets extend this beat/space thinking to outlines of complete
scores and include tonality descriptions and change points. You can
create a large-scale score plan controlling any number of instruments,
processors or mixer configurations.
- Sequencing can be both linear and pattern-based, but can be
infinitely more powerful and flexible. Loop control and processing is
integral.
- Lengths and Zones, that is note durations and section durations, can
be generated from maths and fractal functions. This way even a tiny
rhythmic cell or 'hook' can spawn cogent and relevant rhythmic
material, and whole musical structures.
- Dynamics, either from MIDI velocity or continuous controller values,
can originate from fractal sources and be mapped across the entire
duration of an instrumental part. These natural dynamic contours can be
wonderfully expressive particularly when converted to manipulate reverb
depth, envelope shaping or modulation.
- Neural processing from the powerful Neural Expert can be used to add
intelligent accents and other dynamic details.
- Articulation, the position of a note's onset in relation to a beat
plus the note's actual rather than virtual duration plus its attack
dynamic, can be processed by fractal or mathematical intervention
creating virtual instruments with user-definable characteristics.
"Symbolic Composer 6.2 is a
masterpiece of musical engineering, and that now
allows you to realize the full potential of your studio investments,
and realize your masterpieces of music - not by MIDI editing,
knob-tweaking or hand-playing, but on the purest algorithmic level. SCOM
is the Universal Language of Music for independent composers,
researchers and music education alike", says Janusz Podrazik from the
Mrac Labs.
PRESS RELEASE SUMMARY
--- VENICE, ITALY, 2010, JUN 3 --- Mrac
Labs today launch Symbolic Composer 6.2 for
the Macintosh. The update
adds up important new functions and user-interface improvements
suggested to all users.
.
Product Information URL
http://www.symboliccomposer.com
Product Download URL
http://www.symboliccomposer.com/download/SCOM628Installer.dmg
Download File Size
98.7 MB
Executable File Name (Updated)
SCOM 6.2.8
Buy URL
http://store.kagi.com/cgi-bin/store.cgi?storeID=QD7&&
System Requirements
Macintosh, 2-16 GB memory, 200-300 MB
hard disk space is required.
Trial Limitations
SCOM runs first on Demo Mode, which cancels most functions. The
user is free to browse the interface and full documentation of the
system. Authorization restores full functionality.
Full SCOM 6.2 Press Release
http://www.symboliccomposer.com/press/page_mac620.shtml
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